is born (and stuck) in 1994, Arch. Dipl. EPFL (2021).

Navigates between art, architecture, illustration, furniture and web design. Tries to be imaginative no matter the field.

Develops "Moratorium." as a personal approach since 2017, researching ways to conceive an architecture that solely develops within existing buildings.

Hands-on, always happy to leave the screen and hop into modification work.

Collects swatches and dvds, amongst other objects considered as obsolete today.


is born in 1995, Arch. Dipl. EPFL (2021).

Deeply invested in the social and theoretical aspects of architecture, always trying to materialize theories into meticulous models and drawings to bridge the gap between physical and mental production.

Especially interested in the way space constructs gender and identities.

Fascinated by Swiss post-modern design and mineral patterns.
Collector of shiny raincoats and other weird things like PEZ distributors and Harry Potter Legos.

Is educated in architecture, but active in all creative fields.
Uses what's already there, before adding what's needed.
Believes in powerful, yet modest gestures.
Prefers to modify, rather than to create.
Researches architecture's constructions.
Deconstructs norms and behaviors.
Narrates unforeseen stories.
Avoids aseptic genericity.
Interprets pop culture.
Works seriously with fun, and is funnily serious.
Prefers to imaginatively fail, rather than to boringly succeed.
Has an e-mail adress:
Is on instagram:
Is also a design gallery:
Glaciers 16
Lausanne, CH
Claire Logoz, Bastian Marzoli

Glaciers 16 is a lot of things. Glaciers 16 is a 2,8m by 9,8m space. It is a physical gallery for It is an atelier for reparations. It is a photography studio. It is a model shop. It is a garage. It is a place to drink beer with friends. It is also an architectural office. It is a place to work between us but also to meet you.

Glaciers 16 is a space where detritus has been able to experiment at scale 1:1 with most of the themes that constitute its practice such as double space, re-use, performativity, artificiality, micro-density and conjuring tricks.

More specifically, Glaciers 16 is a strange and surprising space created by the addition of a wall which knows how to disappear in summer, three working bubbles isolated by shiny curtains and a slippery in-between space dramatically covered in shiny black coating, like a contemporary reinterpretation of the poché designating serving spaces.

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