detritus.

is born (and stuck) in 1994, MSc Arch. EPFL (2021).

Navigates between art, architecture, illustration, furniture and web design. Tries to be imaginative no matter the field.

Develops "Moratorium." as a personal approach since 2017, researching ways to conceive an architecture that solely develops within existing buildings.

Hands-on, always happy to leave the screen and hop into modification work.

Collects swatches and dvds, amongst other objects considered as obsolete today.

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is born in 1995, MSc Arch. EPFL (2021).

Deeply invested in the social and theoretical aspects of architecture, always trying to materialize theories into meticulous models and drawings to bridge the gap between physical and mental production.

Especially interested in the way space constructs gender and identities.

Fascinated by Swiss post-modern design and mineral patterns.
Collector of shiny raincoats and other weird things like PEZ distributors and Harry Potter Legos.

X
Is educated in architecture but active in all creative fields.
Uses what's already there.
Works seriously with fun and is funnily serious.
Prefers to imaginatively fail rather than to boringly succeed.
Knows a little and always tries to learn a little more.
Has an e-mail adress:
info@detritus.ch
Is on instagram:
d.e.t.r.i.t.u.s
Is also a design gallery:
www.detritus.ch
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Guided tour corbusier pavilion
09/2021
Zurich, CH
Claire Logoz
ANNEXE, ZAZ Zentrum Architektur Zürich

This guided tour of the Pavilion Le Corbusier in Zurich is a slightly subversive performance which took place in Septembre 2021 as part of a series of events organized by Annexe. The tour was aiming to present the architecture of the famous Le Corbusier through the analysis of its performative elements. Based on the theories presented in Scénographie du genre, which researches the role domestic space plays in the social construction of gender, the space of the Pavilion is de-constructed into performative elements in order to understand the essence of their role in the construction of identities.

The tour is itself presented as performative, as the movements of the visitors have been carefully choreographed through an axonometric map. This unusual presentation allowed visitors to experiment performativity in space with their own bodies, in a kind of materialization of theoretical texts on gender studies and space.  

Pictures: Monika Flueckiger, Alliance F
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