is born (and stuck) in 1994, Arch. Dipl. EPFL (2021).

Navigates between art, architecture, illustration, furniture and web design. Tries to be imaginative no matter the field.

Develops "Moratorium." as a personal approach since 2017, researching ways to conceive an architecture that solely develops within existing buildings.

Hands-on, always happy to leave the screen and hop into modification work.

Collects swatches and dvds, amongst other objects considered as obsolete today.


is born in 1995, Arch. Dipl. EPFL (2021).

Deeply invested in the social and theoretical aspects of architecture, always trying to materialize theories into meticulous models and drawings to bridge the gap between physical and mental production.

Especially interested in the way space constructs gender and identities.

Fascinated by Swiss post-modern design and mineral patterns.
Collector of shiny raincoats and other weird things like PEZ distributors and Harry Potter Legos.

Is educated in architecture, but active in all creative fields.
Uses what's already there, before adding what's needed.
Believes in powerful, yet modest gestures.
Prefers to modify, rather than to create.
Researches architecture's constructions.
Deconstructs norms and behaviors.
Narrates unforeseen stories.
Avoids aseptic genericity.
Interprets pop culture.
Works seriously with fun, and is funnily serious.
Prefers to imaginatively fail, rather than to boringly succeed.
Has an e-mail adress:
Is on instagram:
Is also a design gallery:
Yippee Ki Yay
Lausanne, CH
Bastian Marzoli, Claire Logoz

Yippee Ki Yay is a colorful statement against multimillion projects that struggle to insert themselves into Lausanne’s urban fabric.

Yippee Ki Yay wants to transforme the ungrateful corner of a roundabout into a interconnection of cultural spaces.

Yippee Ki Yay refuses the meaningless museification of old railway equipment but rather re-uses it to provide new spatial experiences to the visitor.

Yippee Ki Yay proposes an energetic esthetic contrasting with its neighbor’s boring figure.

Yippee Ki Yay is formal hommage to a late locomotive hall, destroyed in favor of a huge box and the shadow it constantly casts.

Yippee Ki Yay keeps the existing building because tearing down volumes to build underground does not make sense, and because all buildings should be considered as architectural patrimony.

Yippee Ki Yay is a celebration of the city of Lausanne and the cultural spaces we would love to see there.

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